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- Conn's published serial numbers matched with the year of manufacture do not apply to their stencil lines, or the Pan American line (which is what the 'P' designates before the serial number per Conn's system of classification).
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(419 posts)
7 years ago
Re: PAN-AMERICAN SOPRANO SAX
American stencils generally. * Have a different serial number chart than the pro horns from the manufacturer. For example, a Martin-built Vega will not have a serial number that corresponds to the known Martin serial number charts. * Were built after 1920. * Have a reduced feature set than the pro horns they were stenciled from. Vintage Pan American Alto Saxophone & Case: $180. Vintage Pan American Alto Saxophone & Case. May need to be re padded. Some scratches and a few dings.We try to take pictures of any major defects the instrument may have as well as the serial number. It has not been played in a while so it may need maintenance, tune up. Acronis true image 2018.
Also be aware that the serial numbers below weren't just for C-Melody saxes, each instrument produced was assigned a sequential unique number, so (for example) in Jan-1924, 60993 could have been a Tenor Sax, 60994 a C-Mel, 60995 a Soprano, etc. - at least that's how I understand it?
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Hi Angela-
Thanks for posting photos. Your sax is a CG Conn stencil. This means that it was manufactured in the Conn factory in Elkhart, IN most likely in the 1920's-early 1930's.
High pitch saxophones are typically A=457HZ. Low pitch saxophones are typically between A=436HZ to A=440HZ. The difference between these tuning standards is nearly half a step. To understand this difference you need to harken back to high school physics where you learned that sound is energy transmitted through air as pressure oscillations. Since sound behaves like a wave, we can measure it by how often the wave repeats, otherwise known as its frequency (measured in Hertz, which is the same thing as cpi or cycles per second). Today, the universal standard for music is A=440HZ, which means the wave cycles 440 times per second. The higher the pitch the more cycles per second, the lower the pitch, the fewer.
Although we take A=440HZ for granted today, this wasn't always the case. In fact, there was no standard before 1859 when the French adopted A=435HZ. Fortunately, Adolphe Sax had his work shop set up in Paris and didn't really ramp up saxophone production until the mid 1850's so most early saxophones are A=435HZ. Even so, orchestras in other areas of Europe and throughout the rest of the world remained unstandardized. Saxophone manufactures recognized this and accomodated the situation by making instruments in both high and low pitch. To raise the pitch center of a saxophone you shorten the tube and to lower the pitch center you lengthen the tube. Although low pitch was definitely more common, it wasn't until 1939 that an international conference finally established that A above middle C be tuned to 440Hz, now known as concert pitch. But just to keep it interesting, orchestras today will still vary between A=440HZ and A=443HZ.
Conn Saxophone Serial Numbers And Value
Cheers,
Mark Overton
www.saxquest.com